One Day

Location — small stage
Duration — 1 hour 10 minutes without intermission
Age limit — 14+


Everyone knows that the hardest battle is against yourself. How can you withstand your fear,
your anger, your illness, your shame?

Nina arms herself with a dream. She dreams of fresh pastries from Donetsk bakeries, of
walks around the Donbass Arena, of the smell of Kalmius river. She’s pretty sure that all the
best and the worst things in her life have already happened. She flips through the pages of
her calendar as she does every day.

Another day — World Information Architecture Day, World Bartender Day, Ukraine's Unity
Day, St. Vlas Day, Name-days for Dmytro, Fedir, Zakhar, Vsevolod, Havrylo…


«This world needs me, I’ve got to get up, to eat, to wash myself»


Photos: Dmytro Alabuhin


Cast

Nina Hryhorivna — Tetiana Frolova
Maksym — Andriy Roschis / Nazar Boniashchuk
Chuhayster — Artur Temchenko / Yuriy Shorobura


Director — Dmytro Zakhozhenko
Playwright — Lena Kudayeva
Set Designer — Oleksiy Khoroshko

Production manager — Yurii Zakharko
Sound engineers — Volodymyr Pomirko, Liubomyr Ishchuk
Composers — Volodymyr Pomirko, Oksana Cymbalist
Lighting designer — Taisia Malakhova, Artur Temchenko
Costumes idea — Yulia Rybka-Koval, Diana Yanchuk
Director Asistant — Svitlana Ilyuk
Construction manager — Serhii Stoliaruk
Props, decorator — Marta Bozhyk
Dressmaker — Iryna Musikhina
Costumiers — Halyna Hladun, Diana Yanchuk
Stage technicians — Oleh Zherebetskyi, Serhii Lytvynenko, Volodymyr Prodyus
PR — Viktoriia Dzydziuk, Rostyslav Kuzyk
Design — Mariia Mykytenko


Premiere — June 16, 2023

Imperium delendum est

Place — big stage
Duration — 1 hour 20 minutes
Age limit — 18+

Director — Dmytro Zakhozhenko
Set Designer — Oleksiy Khoroshko
Costume Designer — Mariya Antonyak
Poems by Kateryna Kalytko, Halyna Kruk, Maryan Pyrozhok
Production Manager — Yuriy Zakharko
Lighting Designers — Tayisiya Datsyk, Yevheniy Petrov, Artur Temchenko
Sound Engineer — Volodymyr Pomirko
Media Equipment Support — Vladyslav Bilonenko
Assistant Director — Svitlana Iliuk 
Dressmaker — Tetiana Kalinichenko
Construction Manager, artist — Serhiy Stolyaruk

Cast: Tayisiya Datsyk, Zoryana Dybovska, Olha Zakhozhenko/Anna Vasylchenko, Sofiya Leshyshak, Anastasiya Perets, Oksana Tsymbalist

It’s our first stage work since the beginning of large-scale invasion. What can we say about this work? Lets say its genre is uncertain — as well as our living today. There are many voices in it overwhelmed with rage, pain and hope. There is a lot of music in it full of struggle and freedom. We say the words written by Ukrainian poets and poetesses this spring. We share our fears and dreams. We laugh at a joke though it’s not quite a joke, but it’s still funny. To be honest we made this work for ourselves to recover by breathing at a steady pace. We hope you will do the same.

Premiere — June, 22, 2022 

Lesya. Herstory

Duration — 1 hour 35 minutes without intermission
Location — big stage


What comes to mind when we think about Lesya Ukrainka? A sickly and weak girl who laughed through her tears? The author of «The Forest Song» and the poem «Contra Spem Spero»? The woman on the banknote or the woman from the portrait under embroidered towels?

What if we say that Lesya Ukrainka was rebellious and feminist? And that she opposed Russian colonialism, she never was a «friend of the proletarians», and she fought for Ukrainian identity. And that Lesya Ukrainka was stylish, she traveled to European capitals, and visited the largest European theaters. Moreover, Lesya was a political activist, donated to the preservation and research of cultural heritage, and she was friends with the bohemians of her time. This woman created an original history — her story. That’s why we created a performance about Lesya Ukrainka and what you might not have known about her before — to learn more about ourselves as well.


«It’s not peace we need to worry about now»


Photos by Viktoria Dzyziuk


DirectorLenka Udovički
PlaywrightOksana Danchuk
Composer Nigel Osborne


Lesya. Herstory team:

Cast: Nazar Bonyashchuk, Zoriana Dybovska, Vasyl Kolisnyk, Sofia Leshyshak, Serhiy Lytvynenko, Tayisiya Malakhova, Isabel Merkulova, Anastasia Perets, Mykhailo Ponzel, Andriy Roschis, Tetyana Shelelio


Produser — Veronika Skliarova
Choreographer — Viktor Ruban
Set Designer — Oleksiy Khoroshko
Costumes artist — Yulia Rybka
Media artist — Denys Beliaev
Illustrator — Dina Chmuzh
Lighting designer — Artur Temchenko
Construction manager — Serhii Stoliaruk
Props, decorator — Marta Bozhyk
Sound engineers — Volodymyr Pomirko, Liubomyr Ishchuk
Director asistant — Vladyslav Bilonenko
Composer asistant — Marichka Chichkova
Production manager — Yuriy Zakharko
Dressmaker — Iryna Musikhina
Costumiers — Halyna Hladun, Diana Yanchuk
Media equipment support — Pavlo Kovalsky
Stage technicians — Oleh Zherebetskyi, Yuriy Zakharko, Rostyslav Kolachnyk, Volodymyr Prodyus
PR — Viktoriia Dzydziuk, Rostyslav Kuzyk
Design — Mariia Mykytenko


With the support of: Parade-Fest


Premiere — May 5, 2023


Lenka Udovički is a Serbian drama and opera director and activist. She is the Artistic Director of the Ulysses Theater and co-founder of the School of Acting and Media at the University of Rijeka (Croatia).

Lenka Udovichki has worked with a number of European and American theaters, operas and philharmonics, including the English National Opera Studio, Globe Theater, Opera Circus, Zagreb Philharmonic and UCLA Live. She has been a visiting professor at the California Institute of the Arts and the University of California, Los Angeles.

Nigel Osborne is a British composer, teacher, and author of music therapy methods. He is a Professor of Music at the University of Edinburgh, Professor of the Faculty of Drama at the University of Rijeka, a consultant to the Chinese Music Institute of Peking University, and a member of the British Academy of Composers.

He has taught at the Higher School of Music, Theater and Media in Hannover. For more than 30 years, he has been providing music therapy to war-traumatized children from all over the world. Nigel Osborne’s music therapy methods have been widely implemented in the Balkans, the Caucasus, the Middle East, East Africa, Southwest Asia and India. For his methodology, Nigel Osborne received the Freedom Prize of the Sarajevo Peace Institute.

At the same time tomorrow

Duration: 2 hours with intermission
Age limit: 18+
Location: big stage


The cast and crew gather together in the rehearsal room. They work on «Lysistrata», a comedy by Aristophanes about women of Hellas who once decided to force their men to give up their weapons and by doing this to conclude the Ten Years’ War between Athens and Sparta.

The actors and actresses try on the role of Aristophanes’ protagonist to themselves and the realities of their country, which has also been at war for ten years.

In the circumstances of modern Ukraine, Lysistrata finds herself in a situation where she chooses ways of fighting different from Aristophanes’ protagonist, since it is impossible to stop this war by giving up one’s weapons.

The stage here is the space of imagination, where reality dissolves into fiction, and real-life situations are difficult to distinguish from dreams.

At the time when the dust of war covers everything around us, reality becomes even more bizarre than dreams and encourages us to take on new social roles and responsibilities: to rebuild, to take risks, to defend and to persistently believe that everything is not worthless and that tomorrow will come.


Photos: Maria Shavel`


Cast: Mykola Bereza, Rostyslav Kolachnyk, Andriy Kravchuk, Anastasia Lisovska, Natalia Mazur, Volodymyr Pomirko, Artur Temchenko, Oksana Cymbalist


Director — Svitlana Iliuk
Playwright — Liuba Ilnytska
Set Designer — Oleksiy Khoroshko

Text: Liuba Ilnytska, Mykola Bereza, Rostyslav Kolachnyk, Andriy Kravchuk, Anastasia Lisovska, Natalia Mazur, Volodymyr Pomirko, Artur Temchenko, Oksana Cymbalist
Music — Volodymyr Pomirko, Atrur Tymchenko
Costumes idea — Diana Yanchuk
Costumiers — Halyna Hladun, Diana Yanchuk
Choreography — Yulia Vil`
Lighting designer — Artur Temchenko
Sound engineers — Volodymyr Pomirko, Liubomyr Ishchuk
Production manager — Yurii Zakharko
Props, decorator — Marta Bozhyk
Construction manager, artist — Serhii Stoliaruk
Dressmaker — Iryna Musikhina
Stage technicians — Oleh Zherebetskyi, Serhii Lytvynenko, Volodymyr Prodyus
PR — Viktoriia Dzydziuk, Rostyslav Kuzyk
Design — Mariia Mykytenko


Premiere: March 30, 2023

146 stars visible with the naked eye

Place — Small stage

Age limit — 18+ 

The «sacred» norm, to which we try our best to conform, increasingly resembles a Procrustean bed, which does not contain the most valuable. Instead, it is full of fears, the biggest of which is the fear of being yourself. Why do we want so badly to squeeze into the hole of the norm, ruthlessly trimming parts that don’t fit? John Paul II once said: the Decalogue did not include one important thesis — do not be afraid! We all are Different. Majority does not exist. The stars light up because thermonuclear fusion is taking place. And it doesn’t matter what people think about it. And when you look at the starry sky, where does your moral compass point? 

Directed by Dmytro Zakhozhenko 

Dramaturg — Oksana Danchuk 

Set designer — Maciej Bogdanovich 

Composers — Vladimir Pomirko, Oksana Tsymbalist 

The author of the lyrics — Volodymyr Beglov 

Costume designers — Ruslan Baginsky and Oksana Pigel 

Actors: Nazar Bonyashchuk, Zoryana Dybovska, Rostislav Kolachnyk, Roman Kryvdyk, Mykhailo Ponzel, Vasyl Sidorko, Oksana Tsymbalist 

Photos: Tetiana Dzhapharova

The play was created in partnership with the Education Center of Human Rights in Lviv grounded on a sociological study of the quality of life of LGBT people in Lviv with the support of the UKF, the Embassy of the Netherlands, the National Democratic Institute and the Government of Sweden 

Premiere — September 8, 2021

The Heroes of Chaos

Place — big stage

Duration — 2 hours 20 minutes with intermission

Age limit — 18+


Director, Set Designer — Dmytro Kostyumynskyi

Playwright — Maksym Maksymchuk

Сhoreographer — Viktor Ruban

Composer — Henadiy Boychenko

Light and video — BLCk BOX

Producer — Veronika Sklyarova

Text authors — Maksym Maksymchuk, Vasyl Sydorko

Production manager — Maria Antonyak

Lighting designers — Viktoriya Romanchuk, Artur Temchenko

Sound engineers — Ostap Shuper, Volodymyr Pomirko

Assistant Director — Svitlana Iliuk

Media equipment support — Vladyslav Bilonenko

Costumiers — Halyna Hladun, Diana Yanchuk

Dressmaker — Tetyana Kalinichenko

Props — Marta Bozhyk

Decorators — Iryna Polyanska, Viktoriya Romanchuk

Construction Manager, artist, carpenting, smithing — Serhiy Stolyaruk

Stage Technicians — Vladyslav Bilonenko, Oleh Zherebetskyi, Rostyslav Kolachnyk, Serhiy Lytvynenko

Chief Administrator — Iryna Chanyzh

PR — Viktoriya Solovyuk, Olha Smulska 

Designer — Olena Konoval


Cast: Mykola Bereza, Vitaliy Hordiyenko, Zoryana Dybovska, Anna Yepatko, Andriy Kravchuk, Roman Kryvdyk, Kateryna Kudlach, Sofiya Leshyshak, Serhiy Lytvynenko, Anastasiya Lisovska, Isabel Merkulova, Vasyl Sydorko, Oksana Tsymbalist


How to become a hero?

To do something outstanding? To create a cancer vaccine? To win an Olympic medal? To neutralize an enemy? To rescue a kitten? To give up your seat on the tram to those in need? To kill another hero?

What type of hero to become?

Main character or secondary one? Real hero or fictional? Personal hero or national symbol? To the very death or posthumously? For an hour? For a day? Until the news feed is updated?How does it feel like to be a hero?

Is it honorable? Is it burdensome? Is it impossible? Is it possible to become, but it is impossible to be?

To become a hero or to remain a human? The dichotomy? The ambivalence?

Where is the place for the hero? It is always vacant.

Photos: Tetiana Dzhapharova


The hero has no age. The hero has no sex. The hero has many names and wears many faces.


The performance «Heroes of Chaos» is a part of the Ukrainian project «Ukrainian Odyssey», which is based on Homer’s poem «Odyssey». Five performances within the framework of this project will be interpreted and integrated into the modern realities of our country. They will be created and performed in Lviv, Kharkiv, Odesa and Kyiv.

The performance was made with the financial support within the program «Focus on Culture» of Lviv City Council.


WARNING! The bright light flashes and sound effects are being used during the performance. This can negatively affect people with medical conditions. Take care of yourself and people around you.


Premiere — December 26, 2020

Top Girls

By Caryl Churchill 

Place — big stage

Age limit — 18+


The Strange-Little Woman: sits in a hut and tells her friend that she wants to kill her own mother (spoiler – she won’t kill her).

The Pragmatic-Adult Woman: has her first cup of coffee at the office and tells her colleague about plans for weeknight date (spoiler — the date went bad).

The Anxious-Little Woman: worries that everyone thinks her mother is a whore (spoiler — we’ll never know if its true).

The Too-Modest-Adult-Woman: left her job to make everyone realize how much she had done and make them sorry for not appreciating her (spoiler — they won’t ever realize it).

The Woman-Who-Has-Achieved-A-Lot: returns to a place where it all began. She understands why everything has happened this way, she will forgive everyone, she will love everyone (spoiler — everyone but herself).

It will rain. One will hear its soothing sound. The air will be clearer and the landscape will be fresher. The random salt pillar on the Dead Sea shore will speak up loud, and we’ll finally find out what women’s happiness is about.


Photos: Tetiana Dzhapharova


Translator — Olesya Kamyshnykova

Director — Dmytro Zakhozhenko

Scenography — Oleksiy Khoroshko

Composers — Volodymyr Pomirko, Oksana Tsymbalist

Light Designers — Viktoria Romanchuk, Artur Temchenko

Costumes Designer — Maria Antoniak


Cast:

Marlene — Natalia Mazur

Isabella Bird, Mrs Kidd — Zoryana Dybovska

Lady Nijo — Isabel Merkulova

Dull Gret, Loise — Tetyana Frolova

Pope Joan — Oksana Tsymbalist

Patient Griselda, Jeanine — Anastasia Perets

Waitress, Joyce — Taisia Malakhova

Angie — Anastasia Lisovska

Kit, Shona — Sofia Leshyshak

Win — Andriy Kravchuk

Nell — Mykhailo Ponzel


The translation of the play «Top Girls» was created in the partnership with the British Council in Ukraine.

Premiere — May 8, 2021

Philoctetes. Antic rave

By Hainer Muller and Sophocles

Place — Small Stage

Age limit — 18+

How are humans different from apes? Humans go to barber shops, spas, sometimes they visit churches and polling stations. Humans got their FB accounts as well as desire to destroy each other on purpose simply for sport. And most importantly, we can make up stories, tales, myths. For example: a poisonous snake has bitten the war hero’s leg. The rotten wound doesn’t heal and stinks so badly that no one can be around. So the war hero is left on isolated island, where he suffers from physical pain, loneliness and the victim complex. But suddenly everyone realizes: the war can’t be over without him. The hero has to decide whether he’ll stay isolated, or return and

help those who have left him on the island. It’s a tough decision.

«It’s pathetic» — the ancient Greeks would say.

«Personal VS Political» — they would write in the XX century.

«Myths aren’t simple» — your teacher of foreign literature used to say.

«So is the life» — Heiner Müller would add.

«There is no way Heiner Müller can ever be that banal» — the theater experts will say.

«What reasonable could one hope to hear from this commie?» — the nationalists will say.

«What on earth does he even know about the war?» — the veterans will say.

«Well, you should have visited theater more often» — Hades will say while opening the door for you.

 

Photos: Serhii Danievich

Translator Heiner Muller`s play — Nina Zakhozhenko

Translator Sophocles`s play — Andriy Sodomora

Director — Dmytro Zakhozhenko

Scenography — Oleksiy Khoroshko

Costumes Designers — Maria Antoniak, Oleksiy Khoroshko

Musical Design — Oksana Tsymbalist

Light Designers — Viktoria Romanchuk, Artur Temchenko

Sound engіneers — Volodymyr Pomirko, Ostap Shuper

Premiere — March 1, 2020

Agora


Based on texts by Plato


Place: small stage
Duration: 1 hour 20 minutes without intermission
Age limit: 18+


Director — Piotr Armianovski
Playwrights — Piotr Armianovski and Anastasiia Kosodii
Scenography and costume design — Кateryna Markush and Mariia Khomiakova
Choreography and physicality precision — Viktor Ruban
Choirmaster — Oksana Tsymbalist
Sound engineers — Volodymyr Pomirko, Liubomyr Ishchuk
Lighting designer — Artur Temchenko
Media equipment support — Pavlo Kovalskyi
Production manager — Yurii Zakharko
Assistant Director — Svitlana Iliuk
Props — Marta Bozhyk
Decorators — Marta Bozhyk, Solomiia Ortynska
Construction manager, artist — Serhii Stoliaruk
Dressmaker — Iryna Musikhina
Costumiers — Halyna Hladun, Diana Yanchuk
Stage technicians — Oleh Zherebetskyi, Serhii Lytvynenko, Volodymyr Prodyus
PR — Viktoriia Dzydziuk, Rostyslav Kuzyk
Design — Olena Konoval, Mariia Mykytenko
Consultant in Greek — Polina Kharasakhal


Cast:

Alcibiades — Rostyslav Kolachnyk/Andrii Roschis
The one who looks like Socrates — Vasyl Kolisnyk
The one who speaks like Socrates — Isabel Merkulova
Female Flutist — Anastasiia Perets/Tetiana Shelelio


«The ordinary people like me don’t make a difference». What is the danger behind this common opinion? Why, in fact, this opinion is widespread among our citizens? We believe it’s because this is the easiest way. By choosing the comfortable position called “out of politics” we console ourselves with hopes for the quick victory and the post-war prosperity of the country. What is hope — a lifeline or something that may lead us astray?

This performance is a session of disillusionment, inspired by the ancient Greeks. Armed with a sense of humor and small-caliber provocations, we will reflect on justice, responsibility, virtue and ways of harmonious coexistence of such different us in Ukraine.

This project runs with financial support from the Stabilisation Fund for Culture and Education 2022 of the German Federal Foreign Office and the Goethe-Institute.

Premiere — January 22, 2023

People


Based on a play by Monika Kanyova

Place — big stage

Duration — 1 hour 20 minutes without intermission


Translator — Iryna Zabiyaka

Director — Vasyl Kolisnyk

Scenography — Iryna Polyanska

Flexibility trainings — Halyna Shchupak

Lighting designer — Artur Temchenko


Cast:

Joseph — Andriy Kravchuk

Vasyl — Rostyslav Kolachnyk

Controller — Oksana Tsymbalist

Silent — Serhiy Lytvynenko

Olha — Isabel Merkulova

Yaromyr — Dmytro Naumets



Sometimes it seems that nothing in this world is much more complicated than human relationships. For example, look at Joseph. This man is going through the hard period of his life. Once he was successful and influential — now he’s abandoned, tired and apparently sick. Joseph is suffering. Poor thing! He blames all these ungrateful, arrogant, superficial people for his sufferings. You may even feel sorry for him. And at this point one should mention that human relationships are built by both parties. And if someone uncompromisingly keeps laying out the bricks of his own walls, cementing them with manipulation, sooner or later he will find himself trapped in a maze, where any Ariadne won’t give him a thread. But you won’t need it anyway if you are a Minotaur.


Premiere — June, 8, 2019


The performance is made in cooperation with Činoherní studio Theater (Czech Republic) within the joint project «The Dialogue without borders» with the support of the Czech Center in Kyiv.